A group of friends that know each other through their sons’ school has a tasting every so often. I’ve been fortunate enough to lead the smart and fun group in about ten tastings over the past couple of years. Our most recent tasting explored the exciting category of Spain beyond the fruit bomb, focusing on indigenous grapes, values, and/or off-the-beaten-path regions. Read more…
Why pay en primeur prices for young Bordeaux that won’t arrive for two years? A case against en primeur certainly comes in the form of the traditional Riojas from R. Lopez de Heredia. Read more…
Case in point: D. Ventura’s Vina do Burato, 2008 (about $19). Weighing in at a spare 12% alcohol, this is a great summer red, perfect for chilling and serving dining outside. It’s reminiscent of a cru Beaujolais, although a tad darker in color, but with that same lively acidity, bright fruit and scoring highly on the drinkability scale.
Last year, Eric Asimov of the NYT explored the winemaking renaissance in Ribeira Sacra, the vertiginous region in northwestern Spain where this wine came from (check out the story and the gorgeous photos that make you want to book your tickets there right now). The maker of this wine is Ramón Losada, a full-time veterinarian descended from generations who have toiled the terraces in the region to make wine. He told Asimov “I make money on the wine, but not enough to live on, which gives me the freedom to make wine however I want. Some urge me to change, but I won’t.” Excellent!
Thanks to a tip from Chris Barnes at Chambers Street Wines, I tried a bottle of Godello from the region too. The Almalarga 2008 from Pena Das Donas ($22) was also low in alcohol (12.5% on the label). It was a Goldilocks wine–not too hot/cold, big/small, comfy/not comfy–it was, “just right.” The 80-year-old vines produce a wine with pleasant acidity and some stoniness of a Chablis and good richness thanks to aging on the lees. The only things holding this silky, drinkable wine back from white wine world domination are the presumably limited quantity of production and the slightly high price.
So the King of Spain, 18 bottles of Grenache, and a man wanted by Interpol walk into a conference in Rioja. Sound like the start of a bad joke? Welcome to the reality that is Wine Future!
The two-day Wine Future Rioja 09 event next month will showcase a long list of wine luminaries including Jancis Robinson, Oz Clarke, Steven Spurrier, Gary Vaynerchuk, Jorge Ordonez, and Robert Parker.
The pinnacle of the wine summit will be a premium tasting with Parker (who will be meeting King Juan Carlos during his trip, Parker’s first to Spain since 1972). Limited to 450 attendees, the VIP tasting costs 217€ but can only bought in conjunction with the 783€ conference ticket. Parker and the organizer selected a lineup of 18 grenache based wines, seven from Chateauneuf-du-Pape, five from other parts of Spain, two from California (including one aptly named Pandora), and four from Australia.
Can you imagine a top-dollar tasting in Napa Valley, sponsored by the Napa Valley Vintners, that showcased the wines of the Rhone, Australia, and Argentina?
Grenache, of course, is not the top dog in Rioja, land of Tempranillo. So the local hosts and sponsors of the event took afront and after much protest that included the regional Partido Riojano joining the fray. Now, two wines from the Rioja have been added, the Marqués de Riscal de 1945 and a Contador 2007. Neither of those wines contains any grenache.
But the drama doesn’t end there. The event organizer, Pancho Campo, has resigned from his position to “focus on clearing his name” according to Decanter. In 2003, a court in Dubai found him guilty in abstentia in a dispute stemming from his time as an event organizer and promoter in Dubai. Jim Budd has a thorough round-up of the evidence; Manuel Camblor has been writing about the events recently in Spanish on his blog La Otra Botella.
In August, I dropped by the Manhattan studio of the public radio show Marketplace studio and chatted with reporter Caitlin Carroll about sherry. She was interested in it since apparently the Sherry Promotional Council has a $1 million promotional effort under way to rehab the drink’s retro image. The story aired yesterday (listen here) saying that part of the campaign involves putting sherry in the hands of sommeliers and chefs to get people pouring the drink again.
The following weekend, I tried exactly that. We met up with some college friends at a Rhode Island home just a stone’s throw from the ocean. I brought several bottles of wine and threw in a bottle of Lustau fino that I had picked up at Astor Wine to try out on the guinea pigs–er, our friends. The hors d’oeuvres included some crab cakes but no marcona almonds, which are a great match.
The wine was universally panned. One guy wouldn’t even taste it saying, “It reminds me of my grandmother.” It then flooded him with memories of his grandmother and he regaled us with tales from his youth. But he still wouldn’t taste it. “Is there any Sauvignon Blanc?” someone else asked. Another guy soldiered on and almost finished his glass. Surprisingly, the crab cakes didn’t help the situation.
What do you think? Is sherry, the darling of wine writers and some sommeliers, poised to be retro chic or remain simply retro? Some of you have recommended a fino here in food pairings, such as gazpacho. Food really is key. Assuming people will even try it.
We continued the discussion of “trading down” that we started last week, this time with a focus on bubbly, as the day demanded. Since I didn’t get a chance to actually mention the Dibon cava brut reserve (about $11; find this wine) on the show, I’ll do so here: it’s some really easy drinking stuff, great for parties, or to accompany coconut fried shrimp, as I did recently (it sure beat Lipitor, which could have also worked for that dish). I brought the tasty Roederer Estate brut NV on the show as well (find this wine). And for those who really didn’t want to trade down–or simply prefer fine Champagne in the winter, as I do, economic climate be somewhat damned–I brought the Larmandier-Bernier, brut, premier cru, blanc de blancs (about $45; find this wine). It’s a fantastic example of a grower Champagne and one of my favorites.
So here’s the big mystery question: since they didn’t allow us to pour wine on the set, what bubbly was actually in our glasses at the end?
In the chorus of Rhone varieties, Grenache rarely gets to perform solo. But at the most recent lunch for the Wine Media Guild in New York City, we put it on a stage all alone with twenty five examples of the grape from five countries.
Which is the most planted red grape variety in the world? According to our speaker and grenache-o-phile, Jean-Francois Ey, it’s grenache. The grape often appeals to winegrowers because of it’s workhorse-like productivity in early years of the life of the vine. But it may appeal to consumers, particularly as the vine ages, because of wines light in tannin that can have a faint sweetness and high degree of alcohol. Even though the day of our tasting was still warm, it strikes me now as an excellent transitional red as the weather has cooled.
Our tasting consisted exclusively of old-vine grenache. “Old vine” appears to be the wine label term du jour and producers toss it around–like “reserve”–with so little regulation. Jean-Francois, 30, imports several wines from Roussillon under the Ey Vineyards label and put the question of age into perspective for Grenache. In the Mediterranean climate (with no irrigation or fertilizer), the vines take five years just to get going. Then they have 25 bountiful years with abundant yields. But as the vines age, he said, they yields become so miserly that one vine produces enough fruit for just one bottle of wine. At 30-35 years of age, a producer can make good money but after 50 years, they will make good quality he said.
Turning to the wines, we had two white grenache, one rose, several 100% red grenache and some blends, and finally a Banyuls sweet wine. Read more…
La Rioja, the Grande Dame of Spanish wine regions, has seen the theme of modernists versus traditionalists playing out in winemaking circles. One house that captures this all in one portfolio is Muga.
In a recent blind tasting of 42 Riojas, ranging in price from $10 to $300 a bottle, I tasted through a good portion of the wines from this venerable estate. This producer encapsulates the dual trend in the region, looking both forward and backward. While the I found the new style wines to be overly extracted, the old style wines displayed a beautiful touch. Read more…