Dr Vino's wine blog

Eric Asimov had a thoughtful column on Wednesday. If you didn’t get a chance to see it, he interviews a leading violinist and discusses, among other things, the difficulty of describing both wine and music in words. “A great piece of music, and a great wine, holds your attention and has more than you can say in words,” says the musician, David Chan. And somehow “sluicing a mouthful of pebbles” doesn’t quite capture the whole grandeur of a fifteen year old Puligny Montrachet either, Eric says. Indeed.

But one point that Eric does not bring up so I will: if words can’t even cut it, then how on earth can scores even pretend to be satisfactory in evaluating a wine?

I met with a Pierre-Emmanuel Taittinger yesterday who is not wild about the thought of reducing a wine to a score. He wondered, how can you say which is better, Brigitte Bardot or Marilyn Monroe? Rembrandt or Renoir? Indeed. He made the point that, in an evening, wine is a part of the whole with his ratio running at 10 percent food, 10 percent wine, and 80 percent company. Three cheers for context!

Over the course of the tasting of four of his excellent tetes de cuvee, the superlative blanc de blanc Comtes de Champagne, he offered his tasting notes for the wines. Usually vintners offer cautious notes, if any, but Pierre-Emmanuel’s ebullient side shone through in his notes, which were:

1998: A young Brazilian woman running on the beach (find this wine)
1993: A monk who has led a pure life and suddenly the fruit comes alive and he is running on a beach in Brazil too (find this wine)
1989: Like a beautiful, elegant 55 year-old Italian woman with no “lifting” (find this wine)
1988: Sunlight streaming in a stained glass window, spirits mixed with light, a lot of transparency in the wine mixed with a gentle breeze (find this wine)

Come on, would you really prefer to see those wines with scores?

A few quick things about cru Beaujolais, the smaller, distinctive growing areas of Beaujolais.

1. The Burgundy producers are coming!
Prices are relatively low for grapes and real estate. That fact has attracted investment to the region from producers looking to expand: Earlier this year the Champagne (and Burgundy) house Henriot purchased the Chateau de Poncie, a key property in Fleurie. When I asked Joseph Henriot earlier this year about the motivation for the purchase, he pointed to the distinctive terroir (he loves Moulin-a-Vent and Morgon as well as Fleurie) but also the tremendous discount the property had compared to land in Burgundy.

2. Cru Beaujolais can age, maybe even longer than you think
Louis Jadot was one of the earliest notable Burgundy producers to acquire property in the Beaujolais region, notably in Moulin-A-Vent. I tried their Chateau des Jacques 1996 a few months ago and was wildly impressed. Jacques Lardiere, the winemaker (pictured right), told me that the best wines can last decades!

3. I’ve got a cru Beaujolais vertical going–in magnum
Magnums, twice the size of regular bottles, are generally baubles for captains of industry. But you can get a top cru Beaujolais in magnum for less than a lot of second label Bordeaux. Combine this price appeal with the age-worthiness and you can understand why I have several magnums of Deccombes, Desvignes, and a mini-vertical (three vintages!) of Clos de la Roilette cuvee tardive. Cru Beaujolais magnums also make great gifts; to wit, I just got a magnum of Lapierre Morgon 07 at Appellation Wine and Spirits yesterday.

4. Gamay is wildly food friendly!
And at 12.5 percent alcohol, you can have a couple of glasses too and still be able to function after dinner.

5. It’s mostly less expensive than red Burgundy!

6. How would you change the region?
In 1395, Duke Philip the Bold outlawed the humble gamay grape from Burgundy, protecting the premium pinot noir by fiat. What would you do differently if you were the Duke of Beaujolais? I asked Jacques Lardiere what he would do differently if he made his wine in Moulin-a-Vent outside of the appellation system, which mandates certain controls, such as planting the grape gamay. He said, “I would plant pinot noir.”

Don’t forget to join us tonight at 8 PM on Twitter Taste Live raising a glass of local wine or a cru Beaujolais! use #ttl in your comments or follow me.

I caught up with winemaker Yves Cuilleron today at a tasting of fourteen youngish and noteworthy French producers dubbed “Les Gobeloteurs” at the Tribeca Grill. Yves makes highly regarded red and white wines from the Northern Rhone appellations of Condrieu, Cote Rotie, Saint Joseph, Cornas, and Saint Peray. I really liked his ‘06 Saint Joseph, “Les Serrines,” which is made from small berry Syrah and has great aromas of tar and black olives on the nose. (find this wine)

He paused from his pouring to answer three quick questions:

What’s your favorite Northern Rhone appellation that’s not Hermitage? Condrieu (and Saint Joseph for reds).

New oak, good or bad? It’s a good thing when it’s well done but it depends how it is done. It’s very difficult to work with new oak.

How was the 2008 vintage for you? It was a very good vintage for the whites, which have very good acidity. The wines have high intensity but without too much alcohol. Vintages 2006 and 2007 were nearly 15%. But 2008 was a very late harvest. There was good, slow maturation and they ended up 13.5 percent.

The reds were mixed; there was lots of rain in early September, which caused problems in the early-ripening areas. But in the late ripening areas, there were six weeks of beautiful weather after September 13 and I harvested those in October.

A list of all the “Gobeloteurs” follows after the jump. Read more…

Events have conspired, the plot has thickened and now I call on you to say “non” to only one-third of Beaujolais Nouveau this year!

As you may recall, last week I asked you to ditch Beajolais Nouveau this year because of the high carbon footprint of the wine. The rush to bring this proto-wine to the world’s shops on the same day, November 20 this year, means that airfreight is commonly used, increasing the greenhouse gas emissions of the wine by at least fourfold for New York and many times more to places like San Francisco, Santiago, and Tokyo.

Word floated in to the Dr. Vino tower that major changes were afoot this year in Beaujolais with this year’s Nouveau. So I picked up the phone and called France (at the low rate of 2.3 cents per minute). First up, I spoke with Inter Beaujolais, a regional trade authority, where I learned that Beaujolais Nouveau last year had a volume of about 48 million bottles, about a third of the region’s production. Further, the Nouveau for EU destinations is not permitted to leave the region until November 13 this year, giving it a week to get places like Amsterdam and Athens. But non-EU destinations were given a special extra week this year and could leave the EU on November 6. Could it really get to store shelves in New York City by November 20?

To find out I called Georges Duboeuf, the largest shipper of Beaujolais Nouveau with around three-quarters of the Beaujolais Nouveau market. Read more…

Crises–they’re everywhere, not just the financial markets. In France, the low-end producers have been in crisis for some time with adjustments in global demand and European policy. And for appellation wines, theoretically high-end of the quality pyramid in France, the crisis is that the system is now approving bad wines while squeezing out producers who dare to be different. I explore these issues in my book, Wine Politics, and Mike Steinberger offered his own recent broadside against the AOC system in discussing the celebrated case of Jean-Paul Brun’s 2007 Beaujolais. In a nutshell, the wine tastes great and was denied the appellation while truckloads of insipid wines were given the green light since they were deemed “typical” in an AOC taste test.

In a series of posts, I’ll be exploring some of the producers who have decided for whatever reason to make their quality wine outside of the appellation system in France.

And one of my favorite such producers is the super-naturalista and heirloom grape cultivator Thierry Puzelat in the Loire. I’ve been reluctant sometimes to pour wines made from the hipster grape variety to an audience of non-wine geeks. But I poured his Pineau d’Aunis (about $20; where to buy?), at a recent at a recent event in Chicago but it rocked the house.

But the wine for today is La Guerrerie (about $20; where to buy?). Since it is bottled as the lowly administrative category vin de table, it can’t state grape, place nor vintage. Thus it is simply La Guerrerie, which I thought was some sort of cheeky name riffing on “war” (la guerre) for the struggle with the authorities. But it is not so. I queried the wine’s US importer, Joe Dressner, who replied:

Guerrerie is a site, about 68.37% Côt [malbec] and 31.18% Gamay. Folklore has it that the spot was where the ancient gangs of the area used to rumble, or something like that. But no one is certain. Nevertheless, that is the name of the plot on the map. It doesn’t have the AOC because the wine took a long time to finish and it was not in a tastable form when the AOCs were evaluated.

The wine, with only a dash of sulfur added before bottling, is dark in color with great aromatics, particularly a grind of pepper. The wine has some fruit, lively acidity and a fun level of tannins that make it substantial and extremely rewarding–a perfect red for fall weather since it’s got more heft than a straight gamay but not as much as, say, a barrel-aged cabernet.

For more on the Puzelat brothers, including photos and why he has to maintain to wine making facilities 50 years apart, check out a very thorough post on Bertrand’s Wine Terroirs. And don’t forget how well Thierry Puzelat did as the Cinderella in Wine Madness!

Mike Steinberger posted a piece to Slate.com on Friday detailing the folly French appellation politics (entitled “How Bureaucrats Are Wrecking French Wine”). I’m glad to see the topic getting a broader airing since it is at the heart of my book, Wine Politics, which Mike kindly mentions. But go check out the article and see Mike’s plan for AOC reform if he were French wine czar for a day.

Mike mentions the growing ranks of quality producers who have had wines refused by the tasting portion of the appellation process. When the list includes names such as Jean Thevenet, Didier Dagueneau, Eloi Dürrbach, Marcel Lapierre, Thierry and Jean-Marie Puzelat, Marcel Richaud, Georges Descombes, and Philippe Jambon, you’ve got to wonder if that doesn’t say more about the appellation politics itself. But there’s one other notable rule breaker who could be included in that list: Philippe Pacalet. Read more…

SIPPED: Box wine in Italy!
From Bloomberg: “Italy’s Agriculture Ministry said that some fine Italian wines that receive government quality guarantees will be allowed to be sold in boxes.” Bravo! [via The Lede blog, NYT]

SPIT: Paul Masson!
A funny photo story about the “iconic” wine. [David Lebovitz]

SPIT: France’s new anti-alcohol campaign
French teens like the music in a new French government anti-drinking ad but dislike the oh-so-bitter end of crazy debauchery. One teen reacts to the video: ‘Alcohol doesn’t make those problems, people do.’ Can the backlash against the ads be paving the way for the NRA in France? [Decanter]

SPIT: the 800 pound guerrilla
A member of CRAV, a militant wine organization in the south of France, has his bombing campaign backfire–literally. [TIME]

SPIT: Bottle Shock, the movie
“…too rambling and unfocused to draw a crossover crowd like that darling of wine movies, ‘Sideways.”’ [Bloomberg]

Last year, I was loving the serious 2005 Beaujolais from many of the ten “crus,” or sub-zones of the downtrodden region. I’ve tasted a few 2006s (and look forward to more) and wanted to highlight this excellent duo.

Marcel Lapierre, Morgon, 2006. $21 (find this wine) Importer: Kermit Lynch.
This beautiful wine comes from Marcel Lapierre, one of the qualitative leaders of the region known for a long period of barrel aging. This extended élévage, as it is known, provides the wine with complexity and the ability to better combat oxidation since Lapierre bottles without sulfur, an antioxidant commonly used for stabilizing the wines during shipping. This vintage is particularly succulent and Mrs. Vino had the good sense to demand that I buy more of the wine after her first sip. I happily obliged. The wine will make a good gift not only because of what’s inside but also because of the handsome presentation–along with the wax cap. I’m a sucker for wax caps.

IN the glass, the wine is light in color and actually tastes like a really superb gamay as opposed to many of the best Beaujolais that end up tasting like pinot noir (hey, I’m not complaining, just observing). But gamay has such alluring fruit, lively acidity and smooth tannins when done right that it is hard to refuse. The traditional food pairing is dried sausage but it’s really hard to go wrong since it is so food-friendly.

Of note, Marcel Lapierre is one of the qualitative leaders in the Beaujolais. Check out this excellent article from the Saveur archive on Lapierre and his damascene conversion at the hands of Jules Chauvet.

Clos de la Roilette, Fleurie, 2006. $20 (find this wine) Importer: Louis/Dressner
This wine is darker and more concentrated, a twist on the traditional reputations of the “masculine” Morgon and the “feminine” Fleurie appellations. The concentration does not sacrifice the overall tastiness and, although rich, the wine still has good acidity. I brought it to some friends’ house and they were rapturous in their praise. And to think I got it for only $16! I’ll definitely buy this one again–and look for the Cuvée Tardive, which is more age worthy. Yes, age-worthy Beaujolais! More on that in a future post.

You don’t have to have been long financials for most of 2008 to want a good bargain; great wines under $10 are always in demand, and increasingly hard to find. Here are two for weathering the financial downturn–and beating the summer heat.

Fonte da Serrana, Alentejo, Portugal, 2004. $5.99 (find this wine)
Alentejo is a hot, dry part of Southern Portugal that, when it comes to wine, traditionally has been more known for making closures–corks–rather than what goes in the bottle. But this wine will make them consider planting more vines. The alluring nose of dried herbs precedes the all-berry attack the attack, which, in turn, is followed by a surprising degree of bright acidity and gentle tannins. A GREAT summer quaffer. And our new house burrito wine. Day two it was still going strong and poured at fridge temp, marvelously refreshing on the deck. The blend is mostly Aragonez (a.k.a Tempranillo) and the indigenous Trincadeira.

Hugues Beaulieu, Picpoul de Pinet, Coteaux de Languedoc, 2006. $7.37 (find this wine)
Picpoul de Pinet is a blast of summer freshness that comes from a stone’s throw away from the Mediterranean. With a citrus zip of tart acidity, a light saline quality, this wine, from a cooperative producer, is refreshing to pair with 95 degrees–as an aperitif or with seafood. It’s easy to understand why Picpoul is known as the Muscadet of the south both for flavor profile as well as wallet-friendliness. I got this bottle from a sale that is now, sadly, over (bringing the price up to $8.99) but I will definitely get more for the dog days of summer.