The forums at eRobertParker.com are a lively place. Unfortunately, they are often moderated with a heavy hand: several voices have been expelled and some threads that have even a whiff of criticism are deleted in their entirety.
Such was the case with a thread last week concerning Mike Steinberger’s recent Slate column about the state of Australian wine. Mark Squires, who moderates the Parker board, accused Steinberger of selecting “biased” retailers for the story. One of the retailers shot back with a stinging rebuttal of the bias claim. Shortly thereafter, the thread was deleted in its totality.
Subsequently, Steinberger had an email exchange with Squires. Steinberger questioned the decision to delete the thread and said it had unfairly deprived him of a chance to respond to Squires’s assertions. Squires was unmoved, and a spirited discussion followed. With Steinberger’s permission, I am posting the exchange here. Sit back and pass the popcorn.
Sent: Thursday, April 9, 2009 11:21:34 PM Read more…
In January, I tasted one of Australia’s most well-regarded wines, the Jacob’s Creek, Steingarten Riesling. Unfortunately, the bottle was not showing well that day. But, fortunately, I was with Philip Laffer, the Chief Winemaker of Jacob’s Creek so I sat down with him and talked about Riesling. Given John Gilman’s previous comments about Australian Riesling on this blog, I had to ask him about screwcaps (Stelvin closures) and reduction (anti-oxidation). He also shared his thoughts how many years he likes on a Riesling, why “petrol” is a bad thing, and why Australia is a good place for Riesling.
In switching to screwcaps have you replaced one problem, TCA taint, with another problem, reduction?
Yes, in a sense. But in the main, I think we’ve managed the reduction problem by changing our yeasts and by making sure the wines are scrupulously clean when we bottle. Now, having said that, Read more…
Okay, there was no shootout. Sort of a duel, but without the guns, wounds or Aaron Burr.
In honor of Australia Day last week, and because I think syrah is most seasonally apt in the winter, I tried a Northern Rhone syrah against an Aussie shiraz. Normally you’d think this would be a no-brainer since although it is the same grape by a different name, the stylistic differences can be oceans apart (literally).
But I did try to raise the degree of difficulty by picking a “European-style” shiraz, the Leeuwin Art Series 2005 from the Western Australia region of Margaret River with an alcohol level of rolling in at a mere 13% (find this wine). Against it, I poured a Saint-Joseph ’06 from the small producer Pierre Gonon (find this wine).
I found the Gonon to be excellent, with notes of characteristic black olives that I really dig in a good St. Joseph. It has a mouth-filling character thanks to some gentle oak but has a minerally, ashy core that gives it great poise and balance. The Leeuwin, by contrast, has much more fruit-driven aromas–think raspberry, cherry, and blackberry–as well as a dash of eucalyptus freshness. The palate was bigger than the Gonon and more New World but not to the point of being jammy or extracted. And the lighter alcohol was a relief from many a shiraz.
I was with three other people and although the Gonon edged ahead in my view, the group split with two for each. So the showdown saw both participants walk away unscathed. If only Hamilton had been so lucky.
We’re back with Part Deux of our interview with John Gilman, author of the newsletter A View from the Cellar (part one is here). John has offered a free issue from his backlist to any Dr. Vino reader so surf on over to his site and check it out. In this part of the Q&A, I had intended John to give a quick thumbs up or thumbs down on a number of hot-button issues in the wine world today as well as some things that I’ve heard him express unusual views about. In case you thought you were done gorging during the holidays, you can now feast on John’s 7,000+ words in this second part. So buckle up and get ready to hear his thoughts on what’s wrong with Riesling from Austria and Australia, screwcaps and their problems, the Loire, California cab then and now, indigenous yeasts, roto-fermenters, small oak barrels, wines over 14% alcohol and why he uses scores!
To my mind this is clearly the most singularly misunderstood and underappreciated region for great wines in the world. Read more…
I had the good fortune of appearing on Colin Marshall’s NPR show and podcast, “Marketplace of Ideas” recently. Colin asked great questions and gave me a chance to talk about the issues in my book, Wine Politics: How Governments, Environmentalists, Mobsters, and Critics Influence the Wines We Drink, for my longest interview ever–a whopping 53 minutes! Download it from the show home page or as a podcast from iTunes if you can stand such a dose of Dr. Vino.
One of the questions that he asked me is whether Yellow Tail is a “gateway” wine. In case somehow the ten-million case wine brand from Australia had escaped your attention, they are now following up a billboard and print ad campaign with a $6 million campaign on teevee (find this wine).
With such scale, the brand owners must source from a wide area; indeed, the geographic origin of the wine is simply stated as “South Eastern Australia,” a vast area that encompasses virtually all Australian vineyards. With such a wide reach and an effort at consistency across bottles and vintages, the wine defies what many of us wine geeks look for in wine, which is individuality and the expression of where the grapes are grown.
So will people come to wine through Yellow Tail and then move on to more expressive wines? In the interview I said that it is a “gateway” wine. Having people reach for wine of any sort will hopefully lead them to enjoy the fruits of the vine at first and then lead some more curious to explore wines from other, more specific, places.
What do you think?
Yikes, it was a scorcher this past weekend and temperatures remained in the “excessive heat warning” levels for four days. So the most pressing question for wine lovers was: which wine pairs with 98 degrees? For us, the answer was dry Aussie riesling.
These young wines were wildly refreshing. Read more…
What wine lover doesn’t love the “reefer”? Simmer down, I’m talking about the refrigerated shipping container. Jancis Robinson had a piece in the FT about this chilling topic on Saturday.
As if that didn’t spark your interest in this aspect of logistics, it reminded me of a conversation I had a few weeks ago with a bigwig at a large Australian wine producer. He told me that they track the temperature fluctuations in their transportation containers via sophisticated thermometer. They have data–hour by hour if necessary–for the duration of the voyage. Sometimes the container gets “trans-shipped” and can lie around for weeks on a dock Singapore, a locale not at the top of everyone’s “cool and dry” places.
Here’s the really interesting part: in Japan, the importers demand the data and refuse the wine if it has been cooked. In the US, no. He also said they have different blends for different markets but that is not exactly news.
The only thing worse than having wine be corked is when it is cooked!
Ever since Miles told everybody to get pinot noir, it’s been hard to find a good value. We’ve taken the plunge before and came up with several good American ones under $20. Now we raise the degree of difficulty–times two!–by bringing down the price to $16 AND heading overseas where our currency usually now needs to be accompanied by something of material value such as gold coins to make a purchase. Without further ado…
Stadlmann, Pinot Noir, 2005. $16 (find this wine)
Usually a key to finding good value is finding words that people can’t pronounce. Usually Teutonic Pinot Noir goes by “Blaubergunder,” which is not as melodious as pinot noir and thus discounted. But this Austrian Pinot has “pinot noir” on the label! And it’s still a value! (They keep the unpronounceable stuff for the back such as the region of Niederosterreich in Thermenregion.) Great balance between fruit and acidity, this wine left Mrs. Vino asking why don’t stock more of this in the house.
San Michele Appiano, Blaubergunder/Pinot Noir, Alto-Adige, 2006. $15 (find this wine)
I tasted the wines recently from this producer (aka, confusingly, St Michael-Eppan) and they range from quite good to excellent. The entry level Pinot Noir is a steal with bright fruit, good acidity and subtle tannin that made me crave some fried food — I actually enjoyed it more than their riserva, which had too much oak. Their Sauvignons blancs are excellent but we can talk about those another time.
Ninth Island, Pinot Noir, Tasmania, $15. (find this wine)
I’d like to know more about the island of Tasmania–with global warming, it’s probably the terroir of the next few decades for Australia. I had a sparkling wine from there recently that was quite interesting; this pinot has straight-forward, tart cherry character of the grape and gets off easy in the oak department. Don’t save it for junior’s graduation from college; rather, drink it soonish, with dinner.